Top 30 Albums of the Decade
Some people say the time for the Album is slowly coming to an end... well that sounds like my nightmare.
A song can only say so much, but packaging 10 to 15 songs into one piece, with accompanying notes and artwork can tell an entire story. There is nothing like listening to an album from start to finish, the way that an artist intended it - and if you do, you'll find it often tells a story. You listen to Fleetwood Mac's Rumors and can hear the story of everything they went through in the process of breaking up as a band. You listen to Beyonce's Lemonade and you hear the story of her marriage and how she and Jay-Z handled infidelity and a lack of trust.
In the pop world, Albums also signify different musical eras in an artist's life. In 2019 it's the easiest it has ever been for an artist to flit from genre to genre - and artists are taking advantage of it! I will always remember Joanne as Lady Gaga's stripped-down singer-songwriter era, just as I will always think of ARTPOP as her party hard, techno-pop era. Regardless of the style, an album adds so much context to an artist's life and what they are going through.
Similar to my list of top 50 songs of the decade, this list will consist mostly of Pop music, with a few exceptions. I hope you enjoy!
4. Reputation
The greatest bate and switch this decade was when Taylor Swift had the entire world believe that she was going to release an album of petty revenge songs on her sixth album, Reputation. What we got, however, was an extremely personal look into her life as she navigates falling in love during the most tumultuous time in her career. With stellar production by Max Martin and Jack Antonoff, Taylor created her most cohesive and mature album to date. And although her sound became darker, her lyrics were still lit with beautiful metaphors and small details to remind you that the Old Taylor was never really gone.
Standout Track: Delicate
Billboard Hot 100 Peak: #1
Grammy Nominations: Best Pop Vocal Album
3. 21
Two years after winning the Grammy for best new Artist, Adele returned with Rolling in the Deep, a timeless sounding kiss-off to an ex-lover. The song wasn't expected to make much of an impact, but clearly something struck. The album that followed was raw and emotional both in lyrical maturity and vocal performance. 21 tracked Adele's breakup, heartbreak, and healing after her ex-boyfriend left her unexpectedly for another woman. She bares all as she tells the story of her healing, and reminds us that wallowing is all just a part of the process - as are anger and eventually forgiveness. She hopes that both she and her ex can learn lessons from the relationship, and provided the world with a roadmap to dealing with heartache in the process.
Standout Track: Rolling In The Deep
Billboard Hot 100 Peak: #1
Grammy Wins: Album of the Year, Best Pop Vocal Album
2. LEMONADE
Entertaining, soul-crushing, political, empowering. These words barely scratch the surface on Beyonce's sixth album, Lemonade, which was released in tandem with a stunning visual counterpart. While her past songs like Single Ladies united people for love of pop, now songs like Formation elicited a dichotomy among listeners. Some people loved it, some people hated it. Regardless of how you felt about her new sound, Beyonce used her art to preach acceptance, forgiveness, and pick up the pieces of a broken marriage. She laid everything on the table, documenting the ups and downs, and on All Night, her eventual reconciliation with her husband.
On Lemonade, Beyonce is open and honest, being unapologetically black and female... in Freedom, she calls out police brutality and sparks conversations of Black Lives Matter, in 6 Inch she sings a feminist manifesto of working hard to make her own money. There are also moments where she opens up unlike ever before - songs like Daddy Lessons and Sandcastles let listeners into a piece of Beyonce that she had previously kept locked away. Sonically, she is at her most adventurous, bringing in sounds of rock, country, jazz, and hip-hop, she follows no conventional rules, and in doing so creates an album that is entirely her own.
Lemonade is Beyonce's Magnum Opus.
Standout Track: Formation
Billboard Hot 100 Peak: #1
Grammy Nominations: Album of the Year, Best Music Film
Grammy Wins: Best Urban Contemporary Album
1. Melodrama
Melodrama is my favorite album. And while I could probably write a dissertation on the whole thing, I will attempt to keep this short and sweet. Graduating from the cool electric sounds of her freshman album Pure Heroine, Lorde partnered with Jack Antonoff to craft a weird and wild sophomore record filled with warmth. As the album tells the story of a house party in all of its glory and drama, we are brought through all of the feelings you have as you process heartbreak.
The first standout on Melodrama is its opening track... On Green Light, we are welcomed into a story of recovery with a disco-rock tune that I consider to be the best "start again" song ever written. "Honey I'll come get my things but I can't let go" is such simple but heavy thought. You can collect all your belongings, you can burn memories of a past lover, but it takes so much more than the physical representations of a relationship to move on.
Lorde wisely uses metaphors and callbacks throughout the album (including full reprises) that are unlike any other pop album today. On the second track, Sober, she sings of a reckless night with the rush of euphoric highs and lows - she ends the track "can you feel it? can you feel it?" Five songs later, she answers that call on Sober II, "You asked if I was feeling it, I'm psycho high." Lyrically, She layers little bits like this throughout the entire album: questions and answers, recurring metaphors of ribbons and the idea of considering a person your home. Sonically, she has repeating phrases and sounds, whispers and tiger roars hidden throughout each track. It's so meticulously and cleverly crafted that I will likely continue to find small details for years to come.
Never to be one-trick, Lorde takes time to show that she is funny and playful, whether it's in her lyrics ("They'll hang us in The Louvre... down the back, but still The Louvre") or her voice (the tiny "boom" sound she makes in Homemade Dynamite), she has a sly wink in every song. Throughout the story she's telling, you can see that she has grown up over the course of the time it took her to write the record. In Liability, a sparse self-loathing track, she believes the worst of herself as she sings "truth is I am a toy that people enjoy til all of the tricks don't work anymore" but by the time we get to Hard Feelings she's singing "I care for myself the way I used to care about you." She is learning while the album goes on, and we are getting the lessons along with her.
After the wild night out in Supercut, and the hangover that is Liability (Reprise), Lorde stumbles home, heals in hand, and watches the sunrise on Perfect Places, the album's closing track, and one of my personal favorites. "It's just another graceless night," she sings of the perfect night she just had - all the terror and the trauma and the fucking melodrama included - she will look back on this moment in life as an important chapter of growth... one that she thankfully documented for us to enjoy.
Standout Track: Green Light
Billboard Hot 100 Peak: #1
Grammy Nominations: Album of the Year